This is called rhythmic displacement, a concept that can help you apply odd-note groupings over even time signatures and vice versa.Western music scales: The majority of scales in Western music are exactly the same up and down, and in this sense you can think of a "scale" as a structure of notes arranged from lowest to highest, and one which is most usually the same ascending and descending. This is an important technique to master, as it can prevent you from sounding too scalar and predictable.Īlthough FIGURE 6 uses eighth-note triplets as its rhythmic currency, its phrasing occurs in groups of four. In developing your own picking technique, listen to your body and your ax, and go with what works best for you. For example, Pat Metheny’s picking looks “incorrect,” but his picking is, of course, extremely accurate. It would be nice if there were a universal picking paradigm, one all guitarists could follow, but that’s not the case. Also, experiment with different pick angles and pick-hand configurations. To aid in the execution of this pattern, imagine that your pick is moving over a flat plane (the fretboard) with as little vertical motion as possible. Two-notes-per-string picking patterns are actually among the most challenging patterns to execute at fast tempos, simply because there is a shorter interval between string shifts (i.e. When performing two-notes-per string patterns such as these, you can begin with either an upstroke or a downstroke, whether ascending or descending.
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